OHMYGOSSIP — Billie Eilish is to drop her new single on Wednesday (13.11.19).
The 17-year-old star has reason to celebrate already after scooping the Female Artist of 2019 at the E! People’s Choice Awards on Sunday night (10.11.19), which comes just days ahead of her new release.
She wrote on Twitter: “NEW MUSIC FROM BILLIE EILISH
“everything i wanted”
Out Wednesday November 13 at 4:00pm PT globally (sic)”
Billie didn’t appear to walk the red carpet at the People’s Choice Awards on Sunday evening at the Barker Hangar in Santa Monica, where she beat off strong competition to win the gong.
She was up against Ariana Grande, Taylor Swift, Cardi B, Halsey, Miley Cyrus, Camila Cabello, and Pink – who won the coveted People’s Champion accolade on the night – for the prize.
But she couldn’t defeat Taylor in the Album of 2019 category.
The 29-year-old star’s record ‘Lover’ outdid Billie’s ‘WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?’, and the ‘Style’ hitmaker also beat off strong competition from the likes of her good pal Ed Sheeran, Ariana Grande, Jonas Brothers and Lizzo.
Billie was also up for Song of 2019 for ‘Bad Guy’, but she lost out to Shawn Mendes and Camila’s ‘Senorita’.
Ed was also denied for his and Justin Bieber’s ‘I Don’t Care’, as were Jonas Brothers for ‘Sucker’ and Ariana for ‘7 Rings’.
Billie dropped her debut album ‘WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?’ in March and has already released six singles from the record, including ‘You Should See Me in a Crown’, ‘When the Party’s Over’, and her latest effort ‘All the Good Girls Go to Hell’.

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OHMYGOSSIP — KISS have been forced to delay the start of their Australian tour and postpone their only New Zealand date, as Paul Stanley has been hit with a “bad case of influenza”.
The US rock legends were due to fly over to Australia this week from Los Angeles to kick off the next leg of their farewell ‘End Of The Road Tour’ on Saturday (16.11.19) at the RAC Arena in Perth, Australia, but the 67-year-old guitarist was advised by doctors not to take the long haul flight.
Promoters TEG Live announced that the ‘Rock and Roll All Nite’ band have rescheduled the Perth show to December 3, but unfortunately this is the same date as their only New Zealand concert at Auckland’s Spark Arena, which they’ve promised to reschedule at a later date.
Gene Simmons and co insisted they “don’t want to not give 100%” to their loyal fans.
In a statement issued on Monday (11.11.19), they said: “KISS today announced unavoidable changes to their upcoming Australian and New Zealand tour schedule.
“The legendary rockers were due to leave the U.S. tomorrow to kick off their eagerly awaited ‘End Of The Road’ tour in Perth this Saturday November 16.
“Due to a bad case of Influenza, doctors have advised Paul Stanley to rest for the next few days and not to undertake the long trip from Los Angeles to Perth. “With the expectation of Australian audiences high, KISS don’t want to not give 100% and so have made changes to the Australian and New Zealand dates. The Perth RAC Arena concert on November 16 has been rescheduled from the beginning to the end of the Australian tour and will now take place on Tuesday December 3. (sic)”
Fans who purchased tickets for the Perth show will automatically be able to attend the rescheduled date or get a full refund at their point of purchase if they cannot make it.
And those who were due to attended the Auckland date will be issued refunds.
The band offered their “sincere apologies” for the amendments and insisted the rest of the tour “remains unchanged”, and will recommence on November 19 in Adelaide, Australia.
The statement added: “KISS sincerely apologises to fans. The Auckland date will be re-planned for a later stage of the ‘End Of The Road’ World Tour. All tickets to the Spark Arena concert will be refunded from the point of purchase. “Please contact Ticketmaster.co.nz 0800 111 999
“The remainder of the tour remains unchanged and will now kick off at Adelaide Entertainment Centre on November 19. (sic)”

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OHMYGOSSIP — Este Haim is fed up with people mocking her bass face.
The 33-year-old Haim star and her siblings and bandmates – Alana, 37, and 30-year-old Danielle – have hit out at sexism in the music industry, with the former calling out those who have ever dealt her a “backhanded compliment” about how her face feels the music when she performs.
Este – whose bass face has been subjected to many memes on the internet – bemoaned: “I get, ‘I love that you don’t care what you look like when you play. I love that you don’t care what your face looks like when you play. I love that about you.
“God, thank you SO MUCH”.
“Like, F***. YOU.”
The ‘Summer Girl’ hitmaker added how no one would dare tell John Mayer that he looks “ugly” or any other male artist.
She added: “That’s like a veiled way of saying you’re ugly or something.
“They wouldn’t say it to a dude, who’s feeling the music when he’s playing.
“Like, ‘You look ugly when you play.’ You’d never say it to John Mayer when he’s like “bleugh” when he’s playing, you know what I mean?”
Alana – who plays guitars, keyboards and sings – also says she often gets people tell her how surprised they are that she can play her instrument so well considering she is a woman.
She added to NME.com: “People give us backhanded compliments, like, ‘Oh, wow, you can really play.
“It’s like, ‘What? What the f*** else would I be doing?'”
Meanwhile, the girls recently explained their latest single ‘Now I’m In It’ is about “spiralling into depression”.
Danielle shared in depth how their battle with their mental health and being “stuck in a dark hole” inspired the emotional song.
Alongside screenshots from the music video for the track, Danielle wrote on the band’s Instagram page: “now i’m in it is about going through it.
a depression. not leaving the house type of s***. for my sisters and i, there have been times in our lives where we have felt like we are stuck in a dark hole. this track speaks to that emotion.
the track is chaotic- like my mind when i’m spiraling. fast-talking to myself- words jumbled up. heartbeat racing. these times are hard to forget and even harder to work through…. (sic)”
The vocalist and guitarist added how she has had to “deal with some s***” over the past few years and she hopes speaking out about her battle with depression will help any of their fans going through similar struggles.
She continued: “after being constantly on the go the past couple years, i didn’t wanna stop and deal with some s***. also, every day my sisters and i feel so f***ing lucky that we get to do this for a living!!! it seemed like stopping and dealing with these emotions would be letting everyone down. but every time I’ve been depressed- it takes me accepting that I need help, to start to get out of it. it’s gotten a little easier as i have gotten older to recognize the symptoms and remind myself that when this happens, i need to seek help. (shout out to my therapist!!) anyway, we all know it’s important to talk about this stuff. this one poured out of us. take care of yourself. be nice to yourself. and thank the ones around you that help u everyday. hope this helps anyone who is in it right now coming Oct 30 (sic)”

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OHMYGOSSIP — Twin Atlantic experienced some “dark moments” when they struggled to get another record deal.
Sam McTrusty and co came close to calling it quits when they found themselves unable to tempt record labels to sign them when they left Red Bull Records after the release of 2016’s ‘GLA’.
The Scottish indie rockers had been signed for a decade, and the frontman has admitted they had to give themselves a long hard look in the mirror as they had gotten to be “arrogant”.
Sam confessed to the Daily Star newspaper’s Wired column: “We were trying to get a deal, we were making demos and sending them out but it wasn’t working as easily as we thought it would.
“If I’m honest we were a little big arrogant going into it.
“There were dark moments of just staring at yourselves in the mirror.”
The ‘Heart and Soul’ band eventually managed to ink a deal with Virgin EMI records for their upcoming fifth studio album ‘Power’, which is set for release on January 24.
And this time, they opted to self-fund and produce the record at their own studio in Glasgow and take back “control”, which the 32-year-old singer instead was “the perfect gift” as it awarded them the opportunity to be more “experimental”.
Sam said: “We have always wanted to have a bit more control.
“I think we are very driven and independent type of guys so it was almost life the perfect gift where we landed in the position where we were able to call all the shots.
“Before with people trying to help and guide us we were always given the easier or quickest option to get it finished or make it work for radio, but this time we were able to be really experimental and make mistakes and sometimes the mistakes end up being the genius in there.”

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OHMYGOSSIP — Halsey has teased that her new album ‘Manic’ is better than her popular LP ‘Badlands’ and that “no two songs” are the same.
The US pop superstar will release her hotly-anticipated follow-up to 2017’s ‘Hopeless Fountain Kingdom’ in 2020, and during a Twitter Q&A with fans on Sunday (10.11.19), the ‘Graveyard’ hitmaker let fans know what they can expect from her upcoming third studio album.
Asked if it is better than 2015’s ‘Badlands’, Halsey replied: “my friends and I think so. it’s just a different thing. it’s sooooooo real. (sic)”
And when asked if it will be “less theatrical” than her debut studio effort, she explained: “Not necessarily.
“In a weird way it is.
“It gets very grand and delusional and colorful at times. And then some times it’s very *tiny voice* and straight up. It’s called MANIC!!! Haha. (sic)”
Another user questioned whether there will be more songs that sound like the single ‘Clementine’ from ‘Manic’ – which was released in September – and the ‘Without Me’ singer instead that every track is unique.
She replied: “No 2 songs on the album are alike!”
The 25-year-old pop star – who is dating actor Evan Peters – previously confessed ‘Manic’ is her “angry album” and says that whilst she didn’t go into the process feeling “mad”, she ended up recording some pretty angsty lyrics.
She said of the single ‘Graveyard’: “Yeah, it’s very human. A lot of those sounds are super organic. It’s a lot of people sounds … it’s skin, you hear skin, you can tell people are making it.”
And on how ‘Without Me’ differs from the new material, Halsey added: “I sat there to make this album and I was like, ‘Yeah, I’m going to make an angry album.’ And I wasn’t mad. It’s exciting … I’m closing a chapter in this record that I feel very much like I needed to put the final word on, put the nail in the coffin, if you will. ‘Graveyard’, marry it.
“‘Without Me’ is this like blind declaration of love. In some ways it’s a metaphor. It’s about like loving someone to death, kind of. And then in other ways it’s actually pretty literal. There’s a lot of moments in the song that are pretty literal, which was kind of scary to write about. But you know me, I find the scary thing and I do it.”

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OHMYGOSSIP — The Who’s new song ‘I Don’t Wanna Get Wise’ is “a twist” on ‘My Generation’.
The iconic band’s chief songwriter and guitarist, Pete Townshend, has explained how the new track from the band’s upcoming first album of new material in 13 years, ‘Who’, is a spin on their 1965 hit.
Instead of being about “not wanting to die before you get old”, ‘I Don’t Wanna Get Wise’ is written from a young person’s perspective and is about that “discomforting” feeling when you realise you “know nothing” as you look to the future.
Speaking during ‘An Evening with Pete Townshend’ event, hosted by Mariella Frostrup, in London, the ‘Baba O’Riley’ hitmaker explained: “A couple of songs on the album, one of them is called I Don’t Wanna Get Wise’.
“It’s written from a voice of a young man who’s looking ahead.
“It’s kind of a twist on ‘My Generation’.
“If ‘My Generation’ is about not wanting to die before I get old, I would prefer to be dead rather than end up like you guys.
“If that’s what the twist is I don’t want to be self-satisfied and not looking past into the future.
“I Don’t Wanna Get Wise’ is about a young person looking at an old person and thinking, I don’t wanna end up like you thinking that you have to old-splain everything to me.
“It’s about what happens when you get older.
“I’m sorry folks, I’m hoping there’s some people of my age here you’ll know exactly what I mean.
“All of you young people I could help you.
“I’ve been here such a long time, I’ve seen it all I’ve done it all, and it’s that sense that it isn’t wisdom, it’s quite discomforting because you realise you know nothing.
“Omg I’m 75 and I know nothing.”
The ‘Age of Anxiety’ author added how he is a “very, very strong powerful man” but he still hasn’t got over things that happened to him as a boy.
He said: “I still haven’t got over the fact that when I was four-and-a-half someone treated me really badly, you know what I mean, self-pity whingey little kid.
“I feel like a very, very strong powerful man.
“I am a very, very strong powerful man.
“I’m 74, there’s probably very few people whose wallet I couldn’t steal and run so fast that you wouldn’t be able to catch me up. I’m a very very fast runner.”
And asked how he feels about “being the author” of the line, ‘I hope I die before I get old’, Townshend admitted: “I said you know, I don’t think that was about dying before you get old but there’s dying because the older generation I feel had got it wrong.”
The album ‘Who’ is released on December 6.

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OHMYGOSSIP — Keith Flint’s possessions have sold for £347,750.
The belongings of the Prodigy star – who tragically died aged 49 in March this year – went up for auction on Thursday (07.11.19) to help settle his estate’s debts, which reportedly amount to around £7.3 million.
Fans from across Europe attended the auction at Cambridge’s Cheffins Fine Art auction house for a chance to bid on 170 of the singer’s personal items, including his custom-made bed frame and signature nose piercings.
Martin Millard, director at Cheffins Fine Art, said: “The Keith Flint Collection surpassed all expectations.
“The interest in the sale was phenomenal and there was a fantastic atmosphere in the saleroom throughout the evening, with fans travelling from all over Europe to attend and further bidders joining in via the internet.”
The ‘Firestarter’ hitmaker’s entwined thorn designed oak and steel bed sold for £8,500, whilst his nose ring with a double silver cone was bought at £2,200.
However, it was the singer’s three MTV Moonman awards which raised the most money, selling for £16,000 for the set.
Keith’s body was discovered at his Essex home and Chelmsford Coroner’s Court heard Flint died from hanging and had unspecified amounts of cocaine, alcohol and codeine in his system at the time.
Police attended the singer’s home at the time and found there were no suspicious circumstances and there was no third party involvement.
The senior coroner for Essex, Caroline Beasley-Murray, recorded an open conclusion, stating there was not enough evidence to rule the musician’s death as suicide.
Following Keith’s death, the band cancelled all of their planned tour dates, including a slot at the 2019 Glastonbury festival.
However, the band’s songwriter and producer Liam Howlett, confirmed in August that The Prodigy had gone back in the studio for the first time since Keith died.
Alongside a studio snap posted on the band’s official Facebook page, Liam – who is joined by Maxim in the group – wrote: “Back in the studio making noise .. brand new Prodigy tunes are gonna roll , boooom #theprodigy #weliveforthebeats #weliveforever #cantstoptherock (sic)”
It’s not yet known whether Keith will make a posthumous appearance on any of the new tunes.

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OHMYGOSSIP — Rita Ora is set to perform at a special gala marking the 50th anniversary of homeless charity Centrepoint.
The ‘Anywhere’ hitmaker will perform at the Roundhouse in London on November 13 for the charity, which works with 15,000 young people a year and offers housing, employment and health services. Prince William is a patron of Centrepoint.
The 28-year-old pop star will be joined at the event by Duran Duran and host James Nesbitt.
Rita admits that her upbringing in London has shown her homelessness can impact on young people.
She said: “It means so much to me to be able to join Centrepoint, and the remarkable young people they support, on a special night at The Roundhouse. Growing up in London I’ve seen first-hand homelessness can affect young people and just how it can turn someone’s life upside-down.
“But it doesn’t have to be that way, and it shouldn’t be happening to any young person, which is why I want to show that together we can change the story, end youth homelessness, and help young people to achieve their dreams.”
Centerpoint CEO, Seyi Obakin added: “In our 50th year we are highlighting the many successes of young people who still need our help.
“We are seeing a generation of young people who face greater challenges than their parents or grandparents did. It is vital that we ensure that young people who find themselves without family support, or a safe place to live, still have the opportunity to go on and fulfil their potential and ambitions.”

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OHMYGOSSIP — My Chemical Romance will be supported by Thursday at their comeback gig in Los Angeles on December 20.
The American rock band recently announced plans to return to the stage following an extended hiatus, and they’ve now confirmed they’ll be supported by the emo pioneers at Los Angeles’ Shrine Expo Hall next month.
The group – which consists of lead vocalist Gerard Way, guitarists Ray Toro and Frank Iero, and bassist Mikey Way – announced the news via Instagram, writing: “We are crazy excited to have our dear friends @thursdayband as a special guest at the Shrine Show. (sic)”
The upcoming show will mark the band’s first performance together since 2012, and comes almost a decade after their last album, ‘Danger Days: The True Lives of the Fabulous Killjoys’, which was released in 2010.
The band also recently announced four gigs for next year, confirming they will be taking their comeback overseas in March.
They will headline Download Festival Australia in Melbourne and Sydney on March 20 and 21 respectively, alongside the likes of Deftones and Jimmy Eat World.
From there, they will fly to New Zealand to play at The Outer Fields at Western Springs Stadium in Auckland on March 25, along with special guests Jimmy Eat World, Midnight Youth, and Miss June.
The final announced date will be a headline slot at Download Japan on March 29, where other artists performing include The Offspring and Evanescence.

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OHMYGOSSIP — Sir Paul McCartney has paid a glowing tribute to Beatles photographer Robert Freeman following his recent death.
The revered photographer – who was responsible for some of the Beatles’ most famous album covers – passed away aged 82, and McCartney has hailed Freeman in a blog post, describing him as a “wonderful man”.
He said: “Dear Robert Freeman has passed away. He was one of our favourite photographers during the Beatles years who came up with some of our most iconic album covers. Besides being a great professional he was imaginative and a true original thinker.
“People often think that the cover shot for Meet The Beatles of our foreheads in half shadow was a carefully arranged studio shot. In fact it was taken quite quickly by Robert in the corridor of a hotel we were staying in where natural light came from the windows at the end of the corridor. I think it took no more than half an hour to accomplish.
“Bob also took the Rubber Soul cover; his normal practice was to use a slide projector and project the photos he’d taken onto a piece of white cardboard which was exactly album sized, thus giving us an accurate idea of how the finished product would look.
“During his viewing session the card which had been propped up on a small table fell backwards giving the photograph a ‘stretched’ look. Instead of simply putting the card upright again we became excited at the idea of this new version of his photograph.
“He assured us that it was possible to print it this way and because the album was titled Rubber Soul we felt that the image fitted perfectly. (sic)”
McCartney added: “I will miss this wonderful man but will always cherish the fond memories I have of him.
“Thanks Bob. (sic)”

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OHMYGOSSIP — Sir Elton John’s songwriting partnership with Bernie Taupin has been one of the most “incredible relationships” in his life.
The 72-year-old singer and the songwriter have been longterm writing partners, and he has now said he got on with Bernie “like a house on fire” the first time they ever met, and have been close friends ever since.
Speaking to BBC Radio 2, Elton said: “Well, let’s start with the lyrics. I was given the lyrics when I went to the Liberty audition, I read them on the train and I liked them straight away and I started doing demos of them. I didn’t meet Bernie for quite a while after that, and then he came down to London. As in ‘Rocketman’, we met at a café and we got on like a house on fire because he was like the best friend I never had, he was like a brother. I have never been in the same room with him when he had written a song, we’ve never had an argument about a song. Although, there must have been times when he didn’t like what I’d done but he’s never told me. It’s been the most incredible relationship, it’s been 53 years now.”
The dup have collaborated on many of the star’s hugely-successful songs over the years after Taupin became Elton’s primary lyricist, with Taupin penning the words for the likes of ‘Tiny Dancer’, ‘I’m Still Standing’ and ‘Candle In The Wind’.
And for Elton’s biopic ‘Rocketman’ the pair reunited to write new track ‘(I’m Gonna) Love Me Again’, which featured vocals from both Elton and Taron Egerton, who played the iconic musician in the movie.
The track was used over the flick’s end credits.

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OHMYGOSSIP — The Who’s Pete Townshend will only smash a guitar again to raise money for charity.
The 74-year-old guitarist and his band mates – comprised of Roger Daltrey, John Entwistle, and drummer Keith Moon – were known for their hedonistic behaviour which included smashing their instruments and wrecking their stages, but now that he’s older, Pete has said he’ll only cause damage to another guitar if it helps to raise money for charity.
He said: “I haven’t smashed guitars for a long time, for me it was an expression of youth. I smashed a guitar on David Letterman and it auctioned for $168,000. I am prepared to smash a guitar for charity.”
As well as instruments, The Who were no strangers to destroying hotel rooms at the height of their career.
Pete also spoke about the longevity of his career, as he said he’s “shocked” that his music has remained meaningful for decades.
He added: “For Roger Daltrey and me, we are both shocked that our music has lasted so long and still has consequence and meaning. Roger wanted to use an orchestra on the tour, which I was suspicious of.”
The ‘Pinball Wizard’ hitmaker reflected on the music industry today, and said that whilst music these days seems to be “two polarised strands”, The Who were one of the first bands to “straddle both” sections.
Speaking to BBC Radio 2, he said: “Music seems to have gone into two polarised strands. One of which is music that is recorded with synthesisers and what you can do on a computer. The other is from bands like The 1975 using more traditional rock and roll methods. Our stuff straddled both, we were one of the first rock artists to use synthesisers.”

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OHMYGOSSIP — James Blunt has joked he “collaborates a lot” because he’d “repeat the same four chords” all the time.
The ‘You’re Beautiful’ hitmaker has worked with a number of artists over the years and quipped he does so to create different-sounding songs.
He said: “If I’m writing and recording I’ll be in a studio all day, often in Los Angeles. Ed Sheeran is a friend and collaborated with me on my last album. We share a childish streak. I collaborate a lot, otherwise I’d repeat the same four chords – I’ve been looking for the elusive fifth for a while.”
And the 45-year-old singer feels he has been “misrepresented” by his songs as a “romantic, delicate soul”.
He added to The Sunday Times magazine: “I’ve recorded four albums in America, and each time I lived at Carrie Fisher’s house. I’d met her through friends in London. I told her I was moving to LA to record an album, but didn’t have a home yet, and she said, ‘Why not move in with me?’ and that was that. She was an amazing person, with huge creativity. She was godmother to my eldest. Her death in 2016 was devastating. I haven’t really made peace with it. My first album was called ‘Back to Bedlam’ because Carrie’s was such a mad house to live in. I was quite frightened when it became a huge hit. I’ll never be cool, but I’ve been misrepresented in the past as a romantic, delicate soul. The song ‘You’re Beautiful’ isn’t romantic: it’s about a guy stalking someone else’s girlfriend on the Tube.”

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OHMYGOSSIP — The Script’s Danny O’ Donoghue says “every girl” he’s “been with” thinks their breakup songs are about them.
The Irish frontman never tells his exes if one of their tunes is based on their relationship, but he secretly hopes that they know so he can get his own back on them.
Speaking about the band’s first big hit, 2008’s’The Man Who Can’t Be Moved’, Danny told the Daily Star newspaper’s Wired column: “I never warn them, no, I just let them hear it.
“In a weird way you don’t want them to know it’s about them as you don’t want to pay homage to them.
“In ‘The Man Who Can’t Be Moved’ we chose a metaphorical character to take the role so she wouldn’t find out but in the middle eight, ‘Maybe I’ll be famous as the man that can’t be moved and one day you’ll see me on the news’, that is directly at the person.”
He added: “Look, we want her to be driving her car one day and going: ‘F*** that b*****d’ you know what I am ­saying?
“But every girl I’ve been with in the past thinks they’re about them!”
The 39-year-old hunk admitted he couldn’t think of anything worse than, “walking into a room and everyone you’ve ever been with was in the room.”
The band returned with their sixth album ‘Sunsets & Full Moons’ today (08.11.19), and the ‘Hall of Fame’ hitmakers admitted they’ve gone “back to basics” after they were accused of getting “a little too political” on their last effort, 2017’s ‘Freedom Child’.
Danny said: “This album is back in the centre, back to basics, back to looking at ourselves. People thought our last ­album was a little too political.”
Meanwhile, the heartthrob – who went through a tough time after his split from long-time model girlfriend Anne De Paula in 2018 – recently gave fans an insight into his rampant love life.
Asked how often he indulges in bedroom antics, he said: “I try for every day. I feel being very sexually active is great in a relationship.”

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OHMYGOSSIP — Prince’s estate has released new track ‘Don’t Let Him Fool Ya’ from the late music icon’s famous vault.
The never-heard-before gem is one of 23 unreleased tracks from the upcoming Super Deluxe remastered and expanded reissue of the ‘Purple Rain’ hitmaker’s seminal 1982 ‘1999’ album, which is set for release on November 29.
The tracks were recorded between November 1981 and January 1983, a prolific period for Prince, who explained: “I like to go with my intuition.
“Something hits me and I need to get the track down before I can move on.
“It’s like there’s another person inside me, talking to me.”
‘Don’t Let Him Fool Ya’ was masterminded by Prince – who died in April 2016, at the age of 57, from a fentanyl overdose at his Paisley Park estate – in summer 1982 at his home studio on Kiowa Trail in Chanhassen, Minnesota, with recording engineer Don Batts.
The multi-instrumentalist recorded all parts of the track, which features the bass, live drums, two guitars, keyboards and his legendary vocals.
The ‘Raspberry Beret’ hitmaker’s famous vault also featured tracks Prince made for his protege’s Vanity 6 and The Time.
The Super Deluxe edition of ‘1999’ also contains various versions of his classics, including ‘Little Red Corvette’ and ‘Automatic’.
There is also a special concert film from Prince’s Houston Summit show in 1982, and a live audio performance of the ‘1999’ tour.
Plus handwritten notes and rare photos of the ‘Kiss’ hitmaker taken by his ’80s photographer, Allen Beaulieu.
The reissue is available as a Super Deluxe Edition, comprised of 10 LPs and a DVD, a Deluxe Edition of 2CD or 4LP 180g vinyl – with the option to download or stream, or the standard remastered version, which contains 1CD or 2LP 180g Purple Vinyl.
The Prince Estate partnered with Warner Records to bring the new and remastered music to fans.
Prince was one of the best-selling artists ever, selling more than 100 million records worldwide.
He won eight Grammy Awards, six American Music Awards, a Golden Globe Award, and an Academy Award for the 1984 film ‘Purple Rain’.

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OHMYGOSSIP — Keith Flint’s possessions sold for £347,750 at auction.
The late Prodigy star tragically passed away at the age of 49 in March this year, and in order to settle his debts, which reportedly amount to around £7.3 million, a number of his personal belongings went on sale at Cambridge’s Cheffins Fine Art auction house on Thursday (07.11.19).
Bidding was delayed by 20 minutes after the auction’s website crashed due to the number of online bidders piling onto the site in the hope to win some of the prized items.
The biggest sale of the auction was the ‘Firestarter’ hitmakers’ three MTV Music Awards, two statuettes for their 1997 MTV Networks Europe Viewer’s Choice Award for ‘Breathe’ and the 1997/1998 Best Dance Video Award for The Prodigy’s ‘Smack My Bitch Up’, that sold together for £16,000.
Keith’s NME Awards for Best Dance Act for The Prodigy in 1997, and Best Video for ‘Firestarter’ sold for £8,000.
A Steve Liddard custom oak and steel bed, which was expected to fetch up to £20,000, went for £8,500, and ‘The Fat of the Land’ presentation discs fetched £8,000.
Other items sold included the band’s ‘Music For the Jilted Generation’ picture discs that went for £5,000, a signed John Parkin canvas sold for £4,400, and a piece of artwork of Keith in Lego form by artist Doug Murphy – who is also known as PlasticGod – went for £1,600.
Another lot of memorabilia, which included the band’s May 1995 NME cover, sold for £2,200.
Other smaller items that went under the hammer included a collection of Keith’s Nike trainers and some cupboards.
Auctioneer Martin Millard told NME.com “We’re delighted. “I don’t think it could have gone any better. I think it surpassed all expectations yet we had no real sense of how it was going to do.”

Source: IconInsider.com
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